By Arthur Conan Doyle
In 1887, a tender Arthur Conan Doyle released A examine in Scarlet, growing a global icon within the quick-witted sleuth Sherlock Holmes. during this first actual Holmes secret, the detective introduces himself to Dr. John H. Watson with the confusing line “You were in Afghanistan, I perceive,” and so starts off Watson’s, and the world’s, fascination with this enigmatic personality. In A examine in Scarlet, Doyle offers both puzzling mysteries for Holmes to resolve: one a homicide that occurs within the shadowy outskirts of London, in a locked room the place the haunting be aware Rache is written upon the wall, the opposite a kidnapping set within the American West. opting for up the “scarlet thread of homicide working in the course of the colourless skein of life,” Holmes demonstrates his uncanny knack for locating the reality, tapping into powers of deduction that also captivate readers today.
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Extra resources for A Study in Scarlet
Art-songs are as yet an unknown experience; when he hears the beautiful but vacuous Lillian (with whom he quickly falls in love) singing Italian airs, he says ‘I had no idea that music was capable of expressing and conveying emotions so intense and ennobling. My experience was confined to street music, and to the bawling at the chapel’ (162). Later, Lillian sings one of Alton’s own songs, the first time he experiences a performance of his own work since a hymn episode with his sister: ‘Surprise and pleasure overpowered me’ (163).
Victorian writers and journalists, such as ‘V. ’ (quoted at the opening of this chapter), were happy to acknowledge women as successful interpreters while refusing to credit them with the ability to create anything of any importance. My interest in as broad an exploration of the Victorian concept of the ‘woman composer’ as possible has led me to search for ways in which women who created music were represented in works of fiction and how the concept of female creativity was conveyed to readers.
56 Indeed, Gillian Tindall considers that Gissing had ‘too many atavistic yearnings himself to reject entirely the validity of religious fervour’ and that he was ‘probably, like Mallard, the central character in The Emancipated, “one 53 Colloms, Charles Kingsley, 59–63. Styron Harris, Charles Kingsley: A Reference Guide (Boston: G. K. Hall, 1981) xiii. 55 Ibid. xvi. 56 Quoted in Tindall, A Born Exile, 60, from Gissing’s unpublished Commonplace Book. 57 He might actually have been closer to Gaskell than first appearances would suggest.
A Study in Scarlet by Arthur Conan Doyle